EPIPHANY COUCH
  • portfolio
    • How to Hold Yourself in the High Country
    • Comes From the Land
    • A Dream of Another’s Dream
    • Huckleberry and Chokecherry Sister
    • In Winter We Tell Stories. In Summer We Savor the Sun.
    • Strong Spirits
    • Before the Fire Lit My Dreams
    • Burdened with More Beautiful Things
    • the history of forgetting >
      • The History of Forgetting Video
    • strange and beautiful things
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Burdened With More Beautiful Things

"Burdened With More Beautiful Things" Installation (2024) Photoprints, glass beads, beading felt, oak gall ink, archival pigment prints on birch panels, and reclaimed wood.
"Burdened With More Beautiful Things" Installation (2024) Photoprints, glass beads, beading felt, oak gall ink, archival pigment prints on birch panels, and reclaimed wood.
"Burdened With More Beautiful Things: The Ancestors" (2024) Photoprint, glass beads, beading felt, oak gall ink, and archival pigment print on birch panel 18 x 24 inches
"Burdened With More Beautiful Things: The Ancestors" (2024) Photoprint, glass beads, beading felt, oak gall ink, and archival pigment print on birch panel 18 x 24 inches
"Burdened With More Beautiful Things: The 7th Generation" (2024) Photoprint, glass beads, beading felt, oak gall ink, and archival pigment print on birch panel 18 x 24 inches
"Burdened With More Beautiful Things: The 7th Generation" (2024) Photoprint, glass beads, beading felt, oak gall ink, and archival pigment print on birch panel 18 x 24 inches
Installation view at Oregon Contemporary
Installation view at Oregon Contemporary

Burdened With More Beautiful Things (2024) is an installation that explores how ideas of home, survival, and exclusion are interconnected and how these themes can alter and affect our acceptance and participation in community. Through the use of archival photographs, beadwork, and text borrowed from Ponca poet Cliff Taylor, the work encourages us to uncover how the reverberating repercussions of familial secrecy and cultural disconnection can slowly be dismantled to reveal care, compassion, and community beneath.

hišəbəʔ (thank you) to Cliff Taylor, Asia Tail, and yəhaw̓ Indigenous Creatives Collective. This work was generously supported by Oregon Contemporary for the 2024 Oregon Contemporary Artists' Biennial

Documentation photography: Mario Gallucci
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  • portfolio
    • How to Hold Yourself in the High Country
    • Comes From the Land
    • A Dream of Another’s Dream
    • Huckleberry and Chokecherry Sister
    • In Winter We Tell Stories. In Summer We Savor the Sun.
    • Strong Spirits
    • Before the Fire Lit My Dreams
    • Burdened with More Beautiful Things
    • the history of forgetting >
      • The History of Forgetting Video
    • strange and beautiful things
  • about
  • CV
  • NEWS
  • WRITING
  • contact